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<OAI-PMH schemaLocation=http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd><responseDate>2018-01-24T08:18:09Z</responseDate><request identifier=oai:localhost:2139/16130 verb=GetRecord metadataPrefix=oai_dc>http://uwispace.sta.uwi.edu/oai/request</request><GetRecord><record><header><identifier>oai:localhost:2139/16130</identifier><datestamp>2013-07-19T01:12:22Z</datestamp><setSpec>com_2139_12851</setSpec><setSpec>com_2139_5352</setSpec><setSpec>com_123456789_8511</setSpec><setSpec>col_2139_12860</setSpec></header><metadata><dc schemaLocation=http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd> <title>“Like Bush Fire in my Arms”: Interrogating the World of Caribbean Romance</title> <creator>Morgan, Paula</creator> <subject>Caribbean literature</subject> <subject>romance</subject> <description>The early 1990s added a new event to the Caribbean literary scene. We have been ushered into "a world of Caribbean Romance" - mass produced fiction in a Caribbean Caresses Series commissioned by multi-national sellers of romances. This development, motivated in part by the promise of a lucrative market, has raised salient issues. These include the interplay between the formulaic narrative and the individual expressions offered by the Caribbean writers; the fictional portrayals of gender constructs and their impact on the negotiation of the heterosexual unions within this diverse social milieu.</description> <date>2013-07-18T18:47:13Z</date> <date>2013-07-18T18:47:13Z</date> <date>2013-07-18</date> <type>Article</type> <identifier>http://hdl.handle.net/2139/16130</identifier> <language>en_US</language> <relation>Issue 5;</relation> </dc> </metadata></record></GetRecord></OAI-PMH>