untitled
<OAI-PMH schemaLocation=http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd><responseDate>2018-01-24T08:50:53Z</responseDate><request identifier=oai:localhost:2139/44867 verb=GetRecord metadataPrefix=oai_dc>http://uwispace.sta.uwi.edu/oai/request</request><GetRecord><record><header><identifier>oai:localhost:2139/44867</identifier><datestamp>2017-09-17T04:14:12Z</datestamp><setSpec>com_2139_17583</setSpec><setSpec>com_2139_17582</setSpec><setSpec>col_2139_17588</setSpec></header><metadata><dc schemaLocation=http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd>
<title>The redefinition of "The Jamette" by female soca artistes in Trinidad</title>
<creator>Barratt, Kai</creator>
<subject>Soca -- Trinidad and Tobago -- Sex differences</subject>
<subject>Soca -- Trinidad and Tobago -- History and criticism</subject>
<subject>Calypso (Music) -- Trinidad and Tobago -- History and criticism</subject>
<subject>Gender identity in music -- Trinidad and Tobago</subject>
<subject>Women Soca singers -- Trinidad and Tobago</subject>
<date>2017-09-16T15:38:53Z</date>
<date>2017-09-16T15:38:53Z</date>
<type>Thesis</type>
<identifier>http://hdl.handle.net/2139/44867</identifier>
<rights>Please contact the West Indies and Special Collections at the University of the West Indies, Mona in order to view the full thesis. Contact: wisc.library@uwimona.edu.jm.</rights>
</dc>
</metadata></record></GetRecord></OAI-PMH>
