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<OAI-PMH schemaLocation=http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd><responseDate>2018-01-24T08:21:24Z</responseDate><request identifier=oai:localhost:2139/17825 verb=GetRecord metadataPrefix=oai_dc>http://uwispace.sta.uwi.edu/oai/request</request><GetRecord><record><header><identifier>oai:localhost:2139/17825</identifier><datestamp>2015-09-29T18:24:25Z</datestamp><setSpec>com_2139_7111</setSpec><setSpec>com_2139_5601</setSpec><setSpec>com_2139_5600</setSpec><setSpec>com_123456789_8511</setSpec><setSpec>col_2139_17577</setSpec></header><metadata><dc schemaLocation=http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd> <title>What Ellie Mannette Did For Pan</title> <creator>Darway, Norman</creator> <contributor>The University of the West Indies, St Augustine Campus, Trinidad and Tobago</contributor> <subject>Steel drum (Musical instrument) -- Trinidad and Tobago</subject> <subject>Inventors -- Trinidad and Tobago</subject> <subject>Musicians -- Trinidad and Tobago</subject> <description>This article was written in response to an article written by Bukka Rennie entitled "Lies and distortions of pan", Daraway discusses the contribution made by Elliot "Ellie" Mannette to the development of steelpan music and the bitterness felt by Mannette.</description> <date>2013-10-11T19:00:12Z</date> <date>2013-10-11T19:00:12Z</date> <date>17-Nov-99</date> <identifier>Darway, Norman. "What Ellie Mannette Did for Pan." Trinidad Guardian. 17 Nov. 1999: 8. Print.</identifier> <identifier>http://hdl.handle.net/2139/17825</identifier> <rights>This material is protected under Copyright Act of Trinidad and Tobago. You may use the digitized material for private study, scholarship, or research. For persons wishing reproductions or to re-publish articles, kindly consult the relevant newspaper publishers.</rights> <format>8</format> <publisher>Trinidad Guardian</publisher> </dc> </metadata></record></GetRecord></OAI-PMH>