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<OAI-PMH schemaLocation=http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd><responseDate>2018-01-24T08:27:28Z</responseDate><request identifier=oai:localhost:2139/38842 verb=GetRecord metadataPrefix=oai_dc>http://uwispace.sta.uwi.edu/oai/request</request><GetRecord><record><header><identifier>oai:localhost:2139/38842</identifier><datestamp>2016-06-09T16:34:35Z</datestamp><setSpec>com_2139_7111</setSpec><setSpec>com_2139_5601</setSpec><setSpec>com_2139_5600</setSpec><setSpec>com_123456789_8511</setSpec><setSpec>col_2139_17577</setSpec></header><metadata><dc schemaLocation=http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd> <title>Death Of Community Steelbands in TT</title> <creator>Tarradath, Selwyn</creator> <contributor>The University of the West Indies, St Augustine Campus, Trinidad and Tobago</contributor> <subject>Steel bands (Music) -- Administration -- Trinidad and Tobago</subject> <subject>Steel band music -- Trinidad and Tobago</subject> <description>This article discusses the decline of community steelbands due to the ‘Panorama syndrome’. The article states that community steelbands are almost a thing of the past. The only steelband that can boast of still being a community institution is Desperadoes of Laventille.</description> <date>2014-07-31T16:48:38Z</date> <date>2014-07-31T16:48:38Z</date> <date>24-Sep-95</date> <identifier>Tarradath, Selwyn. “Death Of Community Steelbands in TT.” Trinidad Guardian 24 Sept. 1995: 49. Print.</identifier> <identifier>http://hdl.handle.net/2139/38842</identifier> <rights>©Trinidad Guardian Newspapers. This material is protected under Copyright Act of Trinidad and Tobago. You may use the digitized material for private study, scholarship, or research.</rights> <publisher>Trinidad Guardian</publisher> </dc> </metadata></record></GetRecord></OAI-PMH>