untitled
<OAI-PMH schemaLocation=http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd><responseDate>2018-01-24T08:50:53Z</responseDate><request identifier=oai:localhost:2139/44865 verb=GetRecord metadataPrefix=oai_dc>http://uwispace.sta.uwi.edu/oai/request</request><GetRecord><record><header><identifier>oai:localhost:2139/44865</identifier><datestamp>2017-09-17T04:14:08Z</datestamp><setSpec>com_2139_17583</setSpec><setSpec>com_2139_17582</setSpec><setSpec>col_2139_17588</setSpec></header><metadata><dc schemaLocation=http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd>
<title>Gender as a sociophonetic issue in Jamaican dancehall lyrics</title>
<creator>Dawkins, Nickesha Tania</creator>
<subject>Phonetics, Acoustic</subject>
<subject>Dancehall (Music) -- Jamaica -- History and criticism</subject>
<subject>Dancehall (Music) -- Sex differences</subject>
<subject>Creole dialects in music</subject>
<subject>Dominance (Psychology)</subject>
<subject>English language -- Phonology</subject>
<date>2017-09-16T15:26:59Z</date>
<date>2017-09-16T15:26:59Z</date>
<type>Thesis</type>
<identifier>http://hdl.handle.net/2139/44865</identifier>
<rights>Please contact the West Indies and Special Collections at the University of the West Indies, Mona in order to view the full thesis. Contact: wisc.library@uwimona.edu.jm.</rights>
</dc>
</metadata></record></GetRecord></OAI-PMH>
